453,13 zł

Inner Landscape New Academia Publishing/ The Spring

Książki / Literatura obcojęzyczna

"Jason C. Kuo's in-depth study of the paintings of Gao Xingjian significantly enriches our understanding of a major cultural polymath. This lavishly illustrated book enables us to make important connections between painting and writing, a type of synthesis often downplayed by western post-Enlightenment tendencies toward cultural specialization but very much at the heart of the Chinese literati tradition." żPaul Gladston (University of Nottingham), principal editor of the Journal of Contemporary Chinese Art and author of Contemporary Chinese Art: A Critical History. "In The Inner Landscape: The Paintings of Gao Xingjian, Jason C. Kuo offers his readers a multifaceted lens through which to frame an engagement with the remarkable pictorial, filmic, and literary art of the Chinese writer and 2000 Nobel laureate in literature, Gao Xingjian. A central theme in his oeuvre is reflection on his life as a writer in self-exile in France, a life at once burdened with the memory of his homeland and yet artistically liberating. Kuo illuminates our understanding of the meaning and significance of his art by situating it within a critical discussion of the contemporary context of global modernity, a context that challenges our notions of national cultural identity in an age of mobile subjectivity and the deterritorialization of cultural practices." żStephen J. Goldberg (Hamilton College), author of Dislocating the Center: Contemporary Chinese Art Beyond National Borders. "The Inner Landscape: The Paintings of Gao Xingjian presents almost 300 paintings by the contemporary artist, poet, film-maker, author, and Nobel Laureate Gao Xingjian. Jason C. Kuo's erudite study not only details Gao's development as an intellectual, but also contextualizes and explores his attitudes toward writing, painting, and film-making in the interstices of 'East' and 'West'." żKatharine P. Burnett (University of California, Davis), author of Dimensions of Originality: Essays in Seventeenth-Century Chinese Art Criticism. "The Inner Landscape: The Paintings of Gao Xingjian by Jason C. Kuo is a most thought-provoking and intelligent study of the art of Gao Xingjian. Kuo, driven by a desire for synthesis in his scholarship, brings a modernist practice to bear on a long tradition of intellectual discourse in China." żFrances Klapthor, Baltimore Museum of Art.

Sklep: Libristo.pl

239,07 zł

Landscape Architecture Architeg, Inc.

Książki / Literatura obcojęzyczna

Absolutely fascinating! Informative, enlightening, and entertaining! This is one of the most comprehensive books on Planting Design. It fills in the blanks in this field and introduces poetry, painting, and symbolism into Planting Design. It covers in detail the two major systems in Planting Design: Formal Planting Design and Naturalistic Planting Design. It has numerous line drawings and photos to illustrate the Planting Design concepts and principles. Through in-depth discussions of historical precedents and practical case studies, it uncovers the fundamental design principles and concepts as well as underpinning philosophy for Planting Design. It is an indispensable reference book for Landscape Architecture students, designers, architects, urban planners, and ordinary garden lovers. What Others Are Saying About Planting Design Illustrated... "I found this book to be absolutely fascinating. You will need to concentrate while reading it but the effort will be well worth your time." -Bobbie Schwartz, Former President of APLD (Association of Professional Landscape Designers) and Author of The Design Puzzle: Putting the Pieces Together "This is a book that you have to read, and it is more than well worth your time. Gang Chen takes you well beyond what you'll learn in other books about basic principles like color, texture, and mass." -Jane Berger, Editor & Publisher of gardendesignonline "As a longtime consumer of gardening books, I am impressed with Gang Chen's inclusion of new information on planting design theory for Chinese and Japanese gardens. Many gardening books discuss the beauty of Japanese gardens, and a few discuss the unique charms of Chinese gardens, but this one explains how Japanese and Chinese history, geography, and artistic traditions bear on the development of each country's style. The material on traditional Western garden planting is thorough and inspiring, too. Planting Design Illustrated definitely rewards repeated reading and study; any garden designer will read it with profit." -Jan Whitner, Editor of the Washington Park Arboretum Bulletin "Enhanced with an annotated bibliography and informative appendices, Planting Design Illustrated offers an especially "reader friendly" and practical guide that makes it a very strongly recommended addition to personal, professional, academic, and community library Gardening & Landscaping reference collections and supplemental reading lists." -Midwest Book Review "Where to start? Planting Design Illustrated is, above all, fascinating and refreshing! Not something the lay reader encounters every day, the book presents an unlikely topic in an easily digestible, easy to follow way. It is superbly organized, with a comprehensive table of contents, bibliography, and appendices. The writing, though expertly informative, maintains its accessibility throughout and is a joy to read. The detailed and beautiful illustrations expanding on the concepts presented were my favorite portion. One of the finest books I've encountered in this contest in the past five years." -Writer's Digest 16th Annual International Self-Published Book Awards Judge's commentary "The work in my view has incredible application to planting design generally and a system approach to what is a very difficult subject to teach, at least in my experience. Also featured is very beautiful philosophy of garden design principles bordering poetry. It's my strong conviction that this work needs to see the light of day by being pu

Sklep: Libristo.pl

149,13 zł

Origins of Modern Japanese Literature Duke University Press

Książki / Literatura obcojęzyczna

Since its publication in Japan ten years ago, the "Origins of Modern Japanese Literature" has become a landmark book, playing a pivotal role in defining discussions of modernity in that country. Against a history of relative inattention on the part of Western translators to modern Asian critical theory, this first English publication is sure to have a profound effect on current cultural criticism in the West. It is both the boldest critique of modern Japanese literary history to appear in the post-war era and a major theoretical intervention, which calls into question the idea of modernity that informs Western consciousness.In a sweeping reinterpretation of nineteenth-and twentieth-century Japanese literature, Karatani Kojin forces a reconsideration of the very assumptions underlying our concepts of modernity. In his analysis, such familiar terms as "origin, modern, literature, " and "the state" reveal themselves to be ideological constructs. Karatani weaves many separate strands into an argument that exposes what has been hidden in both Japanese and Western accounts of the development of modern culture. Among these strands are: the "discovery" of landscape in painting and literature and its relation to the inwardness of individual consciousness; the similar "discovery" in Japanese drama of the naked face as another kind of landscape produced by interiority; the challenge to the dominance of Chinese characters in writing; the emergence of confessional literature as an outgrowth of the repression of sexuality and the body; the conversion of the samurai class to Christianity; the mythologizing of tuberculosis, cancer, and illness in general as a producer of meaning; and the "discovery" of "the child" as an independent category of human being. A work that will be important beyond the confines of literary studies, Karatani's analysis challenges basic Western presumptions of theoretical centrality and originality and disturbs the binary opposition of the "West" to its so-called "other." "Origins of Modern Japanese Literature "should be read by all those with an interest in the development of cultural concepts and in the interrelating factors that have determined modernity.

Sklep: Libristo.pl

54,10 zł

Natasha's Dance Penguin

Powieści i opowiadania

Orlando Figes

Sklep: Albertus.pl

290,42 zł

Arts of China, 1600-1900 Yale University Press

Książki / Literatura obcojęzyczna

The Arts of China after 1620 concludes a major three-volume survey that examines China's huge wealth of art, architecture and artefacts from prehistoric times to the present. Beginning with discussions of 'fine' art and painting and progressing to analysis of carving and sculpture, ceramics, glassware and textiles, the authors demonstrate how, in the age of the Emperors Kangxi, Yongzheng and Qianlong, the 'decorative' arts rose to a prominence quite unlike the western experience. Avoiding misrepresentative categorization, they single out period styles, as well as identifying repeated phases of archaism and Buddhist art, and discuss characteristic groups of jade, ivory, ceramics, glassware and textiles. They consider the importance of the imperial workshops and their role in developing craftsmen's skills and encouraging the cross-over of techniques from different disciplines and they present the compelling influence of Emperor Qianlong's aesthetic innovations.In architecture the vast plan and overwhelming authority of the imperial buildings contrasts with the restrained subtlety of domestic architecture and garden design where magnificent rocks were the principal feature, just as in landscape painting. The survey concludes by examining the development of East/West trade and the effects of commercialization on Chinese arts and crafts. This handsome, well-illustrated book provides a scholarly and illuminating resource for all students of the arts of China.

Sklep: Libristo.pl

160,68 zł

Theory of /Cloud/ Stanford University Press

Książki / Literatura obcojęzyczna

This is the first in a series of books in which one of the most influential of contemporary art theorists revised from within the conceptions underlying the history of art. The author's basic idea is that the rigor of linear perspective cannot encompass all of visual experience and that it could be said to generate an oppositional factor with which it interacts dialectically: the cloud. On a literal level, this could be represented by the absence of the sky, as in Brunelleschi's legendary first experiments with panels using perspective. Or it could be the vaporous swathes that Correggio uses to mediate between the viewer on earth and the heavenly prospect in his frescoed domes at Parma. Insofar as the cloud is a semiotic operator, interacting with the linear order of perspective, it also becomes a dynamic agent facilitating the creation of new types of pictorial space. (Damisch puts the signifer cloud between slashes to indicate that he deals with clouds as signs instead of realistic elements.) This way of looking at the history of painting is especially fruitful for the Renaissance and Baroque periods, but it is also valuable for looking at such junctures as the nineteenth century. For example, Damisch invokes Ruskin and Turner, who carry out both in theory and in practice a revision of the conditions of appearances of the cloud as a landscape feature. Even for the twentieth century, he has illuminating things to say about how his reading of cloud applies to the painters Leger and Batthus. In short, Damisch achieves a brilliant and systematic demonstration of a concept of semiotic interaction that touches some of the most crucial features of the Western art tradition.

Sklep: Libristo.pl

Sklepy zlokalizowane w miastach: Warszawa, Kraków, Łódź, Wrocław, Poznań, Gdańsk, Szczecin, Bydgoszcz, Lublin, Katowice

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