Understanding Film Theory

Książki Obcojęzyczne>Angielskie>The arts>Film, TV & radio>Films, cinema>Theory & criticism

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Understanding Film Theory

Książki

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Understanding Film Theory

Książki

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Understanding Animation

Książki Obcojęzyczne>Angielskie>The arts>Film, TV & radio>Films, cinema>Animated filmsKsiążki Obcojęzyczne>Angielskie>The arts>...

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Understanding Animation Taylor & Francis Ltd

Książki / Literatura obcojęzyczna

In this much-needed study of a neglected medium, Paul Wells undertakes a convincing defence of the animated film as a significant art form. Part history, part theory, part celebration, Wells explores approaches to animation through an

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Film As Film Hachette Books

Książki / Literatura obcojęzyczna

Here at last is an introduction to film theory and its history without the jargon. Noted film scholar V. F. Perkins presents criteria for expanding our understanding and enjoyment of movies. He employs common sense words like balance, coherence, significance, and satisfaction to develop his insightful support of the subtle approach and of the unobtrusive director. Readers will learn why a scene from the humbler movie Carmen Jones is a deeper realization of filmmaking than the bravura lion sequence in the classic Battleship Potemkin. Along the way Perkins invites readers to re-experience with clarity, directness, and simplicity other famous scenes by directors like Hitchcock, Eisenstein, and Chaplin. Perkins examines the origins of movies and embraces their use of both realism and magic, their ability to record as well as to create. In the process he seeks to discover the synthesis between these opposing elements. With the delight of the fan and the perception of the critic, Perkins advances a film theory, based on the work of Bazin and other early film theorists, that is rich with suggestion for debate and further pursuit.Sit beside Perkins as he reacquaints you with cinema, heightens your awareness, deepens your pleasure, and increases your return every time you invest in a movie ticket.

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American Film Musical Indiana University Press

Książki / Literatura obcojęzyczna

'"The American Film Musical" is a truly admirable book which is well worth making a song and dance about. It will immediately assume biblical authority for all who are seriously interested in the dream-factory's most lavish fantasies, and it may even come to stand as a landmark in our understanding of Hollywood as a whole...Altman's book is thorough, well informed and warmly good-humored. It has brought the study of musical films out of the dark ages' - " Times Literary Supplement". '...a model of genre criticism and probably the best overall analysis of the film musical to date' - "Journal of Popular Films and Television". '...an important addition to both literature and film collections...a landmark study' - "Library Journal". 'Altman's important study of the American film musical combines genre theory with film criticism and history...Recommended...' - "Choice"."The American Film Musical" is at once the most advanced statement on genre theory and the most complete treatment of the American musical. Altman's unique interweaving of theory, history, and criticism represents an original and challenging contribution to film studies.The book is illustrated with over 200 frame enlargements and production stills. It will interest film enthusiasts, as well as scholars of film, theater, popular culture and communications.

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Blown Film Extrusion Hanser Publications

Książki / Literatura obcojęzyczna

From hardware and materials through processing and properties, a broad coverage of blown film extrusion is presented. A primary objective of this book is to ensure a useful balance of theory and practice. The reader will find the answers to why they encounter certain effects in the blown film process so that they are better able to troubleshoot and improve their operations. At the same time, current practices and equipment are emphasized to keep readers up-to-date with the most productive and efficient technology.The companion computer-based learning tool, The Blown Film Extrusion Simulator, is provided to enhance the reader's understanding. This software was developed specifi cally to teach blown film extrusion equipment operation and processing principles, and is available for download. Throughout this book, exercises using the simulator are described to complement the methods and principles explained.New in this third edition is a chapter on polymer rheology, with an overview of the rheology of polymer melts and its effect on extruding blown film. Additionally, improvements and corrections have been made throughout the book.Contents:? Materials for Blown Film? Polymer Rheology? Extrusion Overview? Hardware for Blown Film? Processing? Coextrusion? Film Properties? Troubleshooting

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Jean Baudrillard SAGE Publications Inc

Książki / Literatura obcojęzyczna

Jean Baudrillard is one of the most important and provocative writers in the contemporary era. Widely acclaimed as the prophet of postmodernism, he has famously announced the disappearance of the subject, meaning, truth, class and the notion of reality itself. Although he worked as a sociologist, his writing has enjoyed a wide interdisciplinary popularity and influence. He is read by students of sociology, cultural studies, philosophy, literature, French and geography. Organized into eight sections, the volumes provide the most complete guide to Baudrillard currently available. Section 1 - Theoretical Issues: In this section the central themes informing Baudrillard's work are defined and discussed. Baudrillard's place in contemporary social thought is examined through considerations of how his work has been received. The importance of signs and the sign economy in Baudrillard's analysis is highlighted. The case for treating Baudrillard as a seminal theorist in contemporary social thought is elucidated. Section 2 - Postmodernism: Baudrillard is reluctant to regard himself as a postmodernist.Nonetheless, it is as the leading theorist of postmodernism that he is widely celebrated and generally known. This section explores Baudrillard's relation to postmodernism and demonstrates his specific contribution. Questions of Baudrillards relation to capitalism, commodification, fatalism, Lyotard, Jameson and politics are explored. Section 3 - Culture: It is now commonplace to refer to the period since the late 1980s as 'the cultural turn'. Baudrillard's work provided a leading exponent of the significance of culture in understanding contemporary life. Included here are reflections on Baudrillard and corporate culturalism, power, ideology, simulation, mass media, Disney, hyperreality and leisure. Section 4 - War: In the 1990s Baudrillard became famous for the thesis that 'the gulf war did not happen'. For some critics, it revealed the poverty of Baudrillard's approach. For others it showed more profoundly why his thought is an indispensable tool in grappling with the complexities of contemporary society. At all events, Baudrillard's treatment of the war represented a climacteric in critical responses to Baudrillard.In this section the various range of responses to Baudrillard's intervention are precisely delineated, providing the reader with the essential data required to decide if Baudrillard's thesis is right or wrong. Section 5 - America: America dazzles and appalls Baudrillard. In America and of Cool Memories 1&2, he documents his violent responses to America as an idea; a physical space. Included here are reflections on Baudrillard, America and postmodernism; Baudrillard's significance as an ethnographer of US life; Baudrillard and American film; Baudrillard and Reagan's America; and Baudrillard, America and the politics of simulation. Section 6 - Seduction: Baudrillard's theory of seduction is, like much else in his work, controversial. This section examines how the theory has been interpreted and criticized. The relationship between Baudrillard and feminism is examined. Applications of his theory to art and work are explored. Section 7 - Fiction and Art: Baudrillard is an unusual contemporary thinker, in as much as his writing is taken seriously by artists. Baudrillard himself has responded to this, by becoming more interested in photography in the last ten years.This section aims to provide an essential guide to the relationship between Baudrillard and art. Included here are enquiries into Baudrillard and science fiction, the relationship between Baudrillard and J G Ballard's 'Crash'; Baudrillard and abstract painting; Baudrillard and Francis Bacon; Baudrillard, Benjamin and Lichtenstein; Baudrillard, Barthes and photography; and, Baudrillard's theory of communication. Section 8 - Baudrillard and Other Social Theorists: The concluding part of the collection aims to situate Baudrillard in the field of contemporary social theory. Interestingly, Baudrillard himself has never attempted to compare and contrast his theoretical ideas with those of others. The 14 contributions included in this section, seek to rectify this shortcoming. The contributions cover Baudrillard and Marx; Baudrillard, Durkheim and Rousseau; Baudrillard and psychoanalysis; Baudrillard and Bataille; existentialism, postmodernism and Baudrillard; Baudrillard and McLuhan; Baudrillard and Critical Theory; Baudrillard and Habermas; Baudrillard and Deleuze; Baudrillard and de Certeau; and the fictional Baudrillard, as dreamt up by Alan Sokal and Jean Bricmont.The contributions are selected and introduced by Mike Gane, Reader in Sociology at the University of Loughborough. With publications like "Baudrillard's Bestiary", "Baudrillard: Critical & Fatal Theory" and "Baudrillard Live", Gane is widely recognized as the leading secondary commentator on the work of Baudrillard. No-one else matches him in the appreciation and critical understanding of Baudrillard. In a full length 'Introduction' to the volumes, written with verve and penetration, Gane shows exactly why Baudrillard is a key thinker of our times. Mike Gane is Professor of Sociology at University of Loughborough

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Psychoanalysis of Artificial Intelligence Springer Nature Switzerland AG

Książki / Literatura obcojęzyczna

This book examines the crucial role of psychoanalysis in understanding what AI means for us as speaking, sexed subjects. Drawing on Lacanian theory and recent clinical developments it explores what philosophy and critical theory of AI has hitherto neglected: enjoyment. Through the reconceptualization of Intelligence, the Artificial Object and the Sexual Abyss the book outlines the Sexbot as a figure who exists on the boundary of psychoanalysis and AI. Through this figure and the medium of film, the author subverts Kant's three Enlightenment questions and guides readers to transition from asking 'Does it think?' to 'Can it enjoy?' The book will appeal in particular to students and scholars of psychoanalysis, philosophy, film and media studies, critical theory, feminist theory and AI research.

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Irresistible Fairy Tale Princeton University Press

Książki / Literatura obcojęzyczna

If there is one genre that has captured the imagination of people in all walks of life throughout the world, it is the fairy tale. Yet we still have great difficulty understanding how it originated, evolved, and spread - or why so many people cannot resist its appeal, no matter how it changes or what form it takes. In this book, renowned fairy-tale expert Jack Zipes presents a provocative new theory about why fairy tales were created and retold - and why they became such an indelible and infinitely adaptable part of cultures around the world. Drawing on cognitive science, evolutionary theory, anthropology, psychology, literary theory, and other fields, Zipes presents a nuanced argument about how fairy tales originated in ancient oral cultures, how they evolved through the rise of literary culture and print, and how, in our own time, they continue to change through their adaptation in an ever-growing variety of media.In making his case, Zipes considers a wide range of fascinating examples, including fairy tales told, collected, and written by women in the nineteenth century; Catherine Breillat's film adaptation of Perrault's "Bluebeard"; and contemporary fairy-tale drawings, paintings, sculptures, and photographs that critique canonical print versions. While we may never be able to fully explain fairy tales, The Irresistible Fairy Tale provides a powerful theory of how and why they evolved - and why we still use them to make meaning of our lives.

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Cracow Indological Studies XV. History and Society as Depcted in Indian Literature and Art. Part II. ŚRAVYA. Poetry & Prose Księgarnia Akademicka Sp. z o.o.

Książki ogólne / naukowe

IntroductionThe present volume of Cracow Indological Studies contains articles addressing different issues pertaining to a broadly formulated subject Histoiy and Society as Described in Indian Literature and Art. Its first part (Cracow Indological Studies, vol. 14) was devoted to visual and performing arts, as obviously the interpretation of sculptures, paintings, objects of craft as well as film art cannot be neglected while searching for pieces of information providing a better insight into the ancient and modern histoiy of India. The articles presented in the second part use literary sources in order to examine diverse aspects of the past and present. Similarly to the first part, which contains in its subtitle the Sanskrit word drsya-‘what should be looked at’-and in this way brings together the varied phenomena which can be described by this term, starting from ancient Indian theatrical art and finishing with modem Indian cinematography, the present volume’s subtitle also refers to the indigenous Indian theory of literature, using the Sanskrit word sravya or ‘what should be listened to’, ‘what is worth listening to’. This term covers both poetry and prose compositions. The authors of this particular volume bring manifold literary works, among them also scientific treatises and scriptures, which ‘should be listened to’ to readers’ attention and analyse them in order to have a better understanding of Indian society and culture. The essentially plural identity of Indian literature is represented in this volume by the pan-Indian Sanskrit literary tradition, Hindi literary culture encompassing the North of India and the most important and ancient among the South Indian Dravidic literatures, namely Tamil writings. The specialists explore a great number of issues: the relations between writing, history and ideology, gender, class, changing sensibilities, discourse and language-to name only a few.The opening article by Tiziana Pontillo introduces the fascinating question of asceticism as a permanent life choice. The authoress quotes Raghuvamsa passages regarding renunciation as a praiseworthy act rather than an obvious course of life. She focuses on two relevant passages from the Buddhacarita: one of them presents Buddha’s father, whose lineage probably did not observe the brahmanic varna- srama system, however wishing that his son would go successively through prescribed stages of life and not renounce the world too early. Indeed, Asvaghosa’s work reflects the socio-religious conflict between the brahmanic inclusivistic theory of four ordered stages of life and the Buddhist encouragement to renounce the world (here the latter path is unusually called arsamarga). The article elaborates also on the term suksma dharma, interpreting it as an ‘uncertain common dharma path’, constituting the point of departure for both, the true Buddhist dharma and the brahmanic srauta reform.The next paper, “Political Metaphors in the Mahakavya. The Conceptual Metaphor THE STATE IS THE HUMAN BODY in Magha’s Sisupala- vadha”, authored by Anna Trynkowska, applies cognitive linguistics methods in order to study the metaphor. The selected stanzas concern politics, a subject which appears prominently in Sanskrit court poems, and the conceptual metaphor under discussion is “the state is the human body”. Trynkowska shows it in the relevant passages of Magha’s poem entitled Sisupalavadha. Perhaps it is not surprising that the majority of examples provided by Magha focus on the condition of the state and its stability. The fitness of the human body is mapped onto political stability and the power of functional elements of the state. Political enemies are conceptualized here in terms of diseases, causing an inappropriate condition of the human body. There are also stanzas naming these dangerous diseases, consumption being referred to most frequently. Trynkowska presents the set of mappings used in these metaphors, specifying the categories in the source domain (the human body, its structure and condition as well as the causes of an inappropriate condition of the body and their remedies) and the corresponding functional elements of the state in the target domain. The proposed method of analysis sheds more light on the structure of such stylistic devices and helps in a better understanding and noticing of their specific features.The epic poem which Tomasz Winiarski discusses is the famous Raghuvamsa by Kalidasa. The author has identified a very interesting passage in its sixteenth canto (verses 4-24), which presents a dying capital city in a very specific way. The main stress is on the role of the female characters in the description. Step by step Winiarski introduces the reader into the sophisticated technique implied by Kalidasa, namely the process of deconstructing/reconstructing the image of the city, a subtle play between reality and illusion, the past and present, light and darkness. The images stereotypical and characteristic of kavya literature are put into an unusual context and combined in unusual ways. As Winiarski points out, taking kavya works as the source of knowledge “may be deceptive if one wants to know what the physical reality and the form of a city was”, but “it is a valid and maybe the only source to answer the question of what it meant for Indians of that time. (...) the way urban life was rendered in stories and poetry was, and still is, a way to fully understand what the city was, how to be a part of it, and how to preserve its existence and meaning.”The following two papers deal with the Sanskrit historiography in South India.Rajendran Chettiarthodi examines the Musikavamsa, a poem written in the 11th century by Atula, as an example of sanskritization of regional history. Choosing Sanskrit as his medium and the mahakavya as a form of expression Atula made an attempt to enhance the prestige of his patron, king Srikantha of the Musika dynasty ruling over North Kerala (...)

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Locating Science Fiction Liverpool University Press

Książki / Literatura obcojęzyczna

Locating Science Fiction is a ground breaking and potentially paradigm-shifting book, a major intervention into contemporary theoretical debates about SF. Academic literary criticism has tended to locate SF primarily in relation to the older genre of utopia; fan criticism primarily in relation to fantasy and SF in other media, especially film and television; popular fiction studies primarily in relation to other contemporary genres such as the romance and the thriller. This bold new synthesis relocates SF in relation to each of these other genres and media and also to the historical and geographic contexts of its emergence and development. Locating Science Fiction effects a series of vital shifts in the way SF theory and criticism has conceptualised its subject, away from prescriptively abstract dialectics of cognition and estrangement and towards the empirically grounded understanding of what is actually a messy amalgam of texts, practices and artefacts.Inspired by Raymond Williams's cultural materialism, Pierre Bourdieu's sociology of culture and Franco Moretti's application of world systems theory to literary studies, Locating Science Fiction draws on the disciplinary competences of Comparative Literature, Cultural Studies, Critical Theory and Sociology to produce a powerfully persuasive mode of analysis, engagement and argument.

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Theories of Reading - Books, Bodies and Bibliomania Polity Press

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Why do literary theorists see reading as an act of dispassionate textual analysis and meaning production, when historical evidence shows that readers have often read excessively, obsessively, and for sensory stimulation? Posing these and other questions, this is the first major work to bring insights from book history to bear on literary history and theory. In so doing, the book charts a compelling and innovative history of theories of reading. While literary theorists have greatly contributed to our understanding of the text-reader relation, they have rarely taken into account that the relation between a book and a reader is also a relation between two bodies: one made of paper and ink, the other flesh and blood. This is why, Karin Littau argues, we need to look beyond the words on the page, and pay attention to the technical innovations in the physical format of the book. Only then is it possible to understand more fully how media technology has changed our experience of reading, and why media history presents a challenge to our conceptions of what reading is.Each chapter places the reader in specific disciplinary and historical contexts: literature, criticism, philosophy, cultural history, bibliography, film, new media. Overall, the history recounted in this book points to a split between modern literary study which regards reading as a reducibly mental activity, and a tradition reaching back to antiquity which assumed that reading was not only about sense-making but also about sensation. Theories of Reading: Books, Bodies and Bibliomania will be essential reading for all students and scholars of literary theory and history as well as of great interest to students of the history of the book and new media.

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The Sublime Object of Ideology Verso Books

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Slavoj Zizek, the maverick philosopher, author of over 30 books, acclaimed as the "Elvis of cultural theory," and today's most controversial public intellectual. His work traverses the fields of philosophy, psychoanalysis, theology, history and political theory, taking in film, popular culture, literature and jokes all to provide acute analyses of the complexities of contemporary ideology as well as a serious and sophisticated philosophy. His recent films The Pervert's Guide to the Cinema and Zizek! reveal a theorist at the peak of his powers and a skilled communicator. Now Verso is making his classic titles, each of which stand as a core of his ever-expanding life's work, available as new editions. Each is beautifully re-packaged, including new introductions from Zizek himself. Simply put, they are the essential texts for understanding Zizek's thought and thus cornerstones of contemporary philosophy.

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