42,60 zł

If You Still Recognise Me Little Tiger Press Group

Książki / Literatura obcojęzyczna

If you loved Heartstopper and need more feel-good LGBTQ+ romance - If You Still Recognise Me is the one for you!Elsie has a crush on Ada, the only person in the world who truly understands her. Unfortunately, they've never met in real life and Ada lives an ocean away. But Elsie has decided it's now or never to tell Ada how she feels.That is, until her long-lost best friend Joan walks back into her life. In a summer of repairing broken connections and building surprising new ones, Elsie realises that she isn't nearly as alone as she thought. But now she has a choice to make...A lyrical contemporary story about falling in love and finding yourself in the process, for fans of THE BLACK FLAMINGO, THE FALLING IN LOVE MONTAGE and Alice Oseman. "An epic fandom, a scavenger hunt for a lost love and an ode to cultural inheritance - this is a wonderfully heartfelt and joyously queer romance" - Lauren James, author of The Loneliest Girl in the Universe"If You Still Recognise Me is a poignant, perfectly formed debut about queer love, fandom and family." - Lex Croucher, author of Reputation"A beautiful and intricately layered tale of friendship, fandom and finding yourself - I absolutely adored it." - Sophie Cameron, author of Out of the Blue"Exploring the bonds of friendship, family, fandom, culture and queer community, this is a story about finding who you really are at the heart of all the things you love." - Sera Milano, author of This Can Never Not Be Real"A celebration of fannish glee, queer joy and family in all senses of the word. If You Still Recognise Me asks what it means to find yourself, when we are all more than a single story. I adored it." - Kat Dunn, author of Dangerous Remedy"Beautifully written with moments of sheer lyricism. A must-read for humans of all ages and walks of life. I loved it so much!" - Wibke Brueggemann, author of Love is for Losers"If You Still Recognise Me by Cynthia So is just so SO perfect.Refreshing, relatable and raw in its honesty, this is the book I wish I'd had as a queer teen discovering my identity." - Sarah Underwood, author of Lies We Sing to the Sea"If You Still Recognise Me is a moving and heart-warming story about queer love, family, culture and fandom and So's has a uniquely poetic style that sees beauty in the everyday and makes the familiar feel fresh and new" - Ciara Smyth, author of Not My Problem"This wonderful book is both a tender coming-of-age romance and a tapestry of queer identity that spans oceans, generations, and stages of life ... Suffused with queer wistfulness and the ache to be known, So's debut is as intimate and revelatory as the first touch of a first crush's hand." - Riley Redgate, author of Seven Ways We Lie"A lyrical, complex tale of friendship, family, and all the stories we tell ourselves - true and not - about what it means to love" - Kelly Loy Gilbert, author of When We Were Infinite"Cynthia So deftly weaves a story that explores queerness, love, and relationships across distance, both geographical and time. An accomplished debut with shades of Nina LaCour, If You Still Recognise Me is the perfect summer-time read." - Lizzie Huxley-Jones, author and editor

Sklep: Libristo.pl

52,25 zł

The Unbroken Little, Brown Book Group

Książki / Literatura obcojęzyczna

EVERY EMPIRE DEMANDS REVOLUTION.Touraine is a soldier. Stolen as a child and raised to kill and die for the empire, her only loyalty is to her fellow conscripts. But now, her company has been sent back to her homeland to stop a rebellion, and the ties of blood may be stronger than she thought.Luca needs a turncoat. Someone desperate enough to tiptoe the bayonet's edge between treason and orders. Someone who can sway the rebels toward peace, while Luca focuses on what really matters: getting her uncle off her throne.Through assassinations and massacres, in bedrooms and war rooms, Touraine and Luca will haggle over the price of a nation. But some things aren't for sale.In a political fantasy unlike any other, debut author C. L. Clark spins an epic tale of rebellion, espionage, and military might on the far outreaches of a crumbling desert empire. 'Clark's debut introduces a remarkable LGBTQ+ culture amid a story of colonial conquest, exploitation, prejudice, and brewing revolt in a land with a lost history of mystical powers . . . Fans of epic military fantasy will eagerly await more from Clark' Booklist'High adventure on a human scale - don't miss it' Alix E. Harrow'This strong debut is filled with exciting action and worldbulding, intriguing characters . . . and an explosion of feelings. Readers will be clamoring for more of Touraine and Luca before they finish' Library Journal: Starred Review'The Unbroken is something special. I'm going to need book two asap' David Dalglish'A compelling and persuasive reimagining of both heroism and heroics' Evan Winter'A perfect military fantasy: brutal, complex, human and impossible to put down' Tasha Suri'This book feels like one of those deep conversations you have with someone you respect at 3am on a Saturday night. It's wonderful, you know you're going to miss it before it's even over and you'll think about it for a long time to come' FIYAH Literary Magazine'C. L. Clark's epic fantasy debut reveals all the ugly, painful, deeply personal complexities of revolution against empire. I'm in awe!' Shelley Parker-Chan'A bold and exciting work that helps steer the evolution of the genre into the next decade' Marshall Ryan Maresca'Get ready to fall in love with Touraine and Luca in one of the best fantasy debuts I have ever read!' Matt Wallace'THE UNBROKEN is a utterly remarkable fantasy debut. A heart-rending, unflinching tale of love, loyalty, and making the right choices despite the repercussions. Clark had me completely engrossed in her prose, her world, and her characters from beginning to end' FanFiAddict'A riveting epic fantasy about a city on the knife's edge of rebellion' K. A. Doore

Sklep: Libristo.pl

43,30 zł

History of Love Penguin Books

Książki / Literatura obcojęzyczna

This book is short-listed for the Orange Prize for Fiction 2006 and winner of the 2006 Prix du Meilleur Livre Etranger, The History of Love explores the lasting power of the written word and the lasting power of love. Published as a Penguin Essential for the first time. 'When I was born my mother named me after every girl in a book my father gave her called The History of Love...' Fourteen-year-old Alma Singer is trying to find a cure for her mother's loneliness. Believing she might discover it in an old book her mother is lovingly translating, she sets out in search of its author. Across New York an old man called Leo Gursky is trying to survive a little bit longer. He spends his days dreaming of the love lost that sixty years ago in Poland inspired him to write a book. And although he doesn't know it yet, that book also survived: crossing oceans and generations, and changing lives..."Wonderfully affecting...brilliant, touching and remarkably poised." (Sunday Telegraph). "A tender tribute to human valiance. Who could be unmoved by a cast of characters whose daily battles are etched on out mind in such diamond-cut prose?" (Independent on Sunday). "Devastating...one of the most passionate vindications of the written word in recent fiction.It takes one's breath away." (Spectator). Nicole Krauss is an American best selling author who has received international critical acclaim for her first three novels: Great House (short-listed for the Orange Prize for Fiction 2011), The History of Love and Man Walks into a Room (short-listed for the LA Times Book Award), all of which are available in Penguin paperback.

Sklep: Libristo.pl

398,16 zł

Jochen Rindt McKlein Media GmbH & Co.

Książki / Literatura obcojęzyczna

5. September 1970. Österreich hat einen Nationalhelden verloren. Jochen Rindt ist tot. Der Le-Mans-Sieger von 1965, der sich von Flugplatzrennen über die Formel 2 in die Königsklasse fuhr und posthum zum Formel-1-Weltmeister gekürt werden sollte, war eine schillernde Persönlichkeit. Der gebürtige Deutsche, der in Österreich aufwuchs, wusste zu polarisieren. Das Buch schildert die wohlbehütete Kindheit bei den Großeltern, nachdem er die Eltern im Krieg verloren hatte, den Ausbruch in der Pubertät, die schnelle stürmische Laufbahn und das tragische Ende in Monza - dies ist das Porträt einer Ikone mit verborgenen Tiefen.Dr. Erich Glavitza, Journalist, Autor, Renn- und Stuntfahrer und obendrein noch promovierter Philosoph, kannte Rindt gut und hat in seiner bekannt lockeren Art dieses ebenso schillernde wie erkenntnisreiche und einfühlsame Bild seiner Person gezeichnet. Er beschreibt den ungestümen Charakter Rindts und die kaum bekannte, ganz andere Beziehung zum Halbbruder, mit dem Glavitza lange gesprochen hat. Schließlich analysiert Erich Glavitza ausführlich den tödlichen Unfall mit dem filigranen Lotus.Dies ist das umfassende Standardwerk über Jochen Rindt, reich illustriert mit teils nie gezeigten Privat- und Rennsportfotos, etwa von Alois Rottensteiner, der ebenfalls nah dran war an Rindt und dem Rest der Szene. Mit Vorworten von Bernie Ecclestone und Uwe Eisleben.Zum 50. Todestags des Rennfahrers legt McKlein diese 400 Seiten starke großformatige Biographie in edler Ausstattung und im Schuber vor.-------------------------------------------------------------It is September 5th, 1970. Austria has lost a national hero. Jochen Rindt is dead. The 1965 Le Mans winner who drove his way from airfield races to Formula Two and right on to Formula One, where he was to be crowned champion posthumously, was a dazzling personality. Born in Germany and raised in Austria, he knew how to polarize relationships. The book portrays his sheltered childhood with his grandparents after he lost his parents in the war, the onset of puberty, his rapid yet stormy career, and its tragic end in Monza. This is a portrait of a champion with hidden depths.Dr. Erich Glavitza, journalist, author, racing and stunt driver and, on top of that, a PhD in philosophy, knew Rindt well and, in his well-known relaxed manner, has painted this picture of Jochen Rindt, that is as compelling as it is insightful and sensitive. He describes Rindt's impetuous character and the little-known, completely different relationship he had with his half-brother, with whom Glavitza spoke at length for this book. Finally, Erich Glavitza analyses in detail the fatal accident at Monza with the F1 Lotus.This is a comprehensive study of Jochen Rindt, the man and the racing driver, which is richly illustrated with private photos and with racing pictures some of which have never been shown before. These include ones from Alois Rottensteiner, who was also close to Rindt and part of the racing scene of the 1960s and 1970s. The preface is by Bernie Ecclestone, Rindt's manager and friend.To mark the 50th anniversary of the racing driver's death, McKlein is presenting this 400-page large-format biography in a noble design and slipcase.-------------------------------------------------------------5 septembre 1970, l'Autriche perd un héros national : Jochen Rindt est décédé. Personnalité éblouissante, le vainqueur du Mans en 1965 a débuté dans des courses disputées sur des aérodromes avant de marquer de son empreinte la Formule 2 et de se hisser au plus haut niveau du sport automobile. Il sera sacré Champion du Monde de Formule 1

Sklep: Libristo.pl

79,28 zł

Only Child Random House USA Inc

Książki / Literatura obcojęzyczna

A New York Times Best Illustrated BookHailed by Entertainment Weekly and the Wall Street Journal as a best book of the year, this gorgeous and imaginative story-part picture book, part graphic novel-is utterly transporting and original. USA Today declared it "a compelling and melancholy debut from an important new talent" as well as "an expansive and ageless book full of wonder, sadness, and wild bursts of imagination." And like Shaun Tan's The Arrival and Raymond Briggs's The Snowman, it is quickly becoming a modern classic.A little girl-lost and alone-follows a mysterious stag deep into the woods, and, like Alice down the rabbit hole, she finds herself in a strange and wondrous world. But... home and family are very far away. How will she get back there?In this magnificently illustrated-and wordless-masterpiece, debut artist Guojing brilliantly captures the rich and deeply-felt emotional life of a child, filled with loneliness and longing as well as love and joy."A haunting, wordless, gorgeously drawn picture book." - People "Told wordlessly through soft, dreamy illustrations, Guojing's tale evokes the loneliness of growing up under China's one-child policy." - Entertainment Weekly"A dreamy, wordless debut." - The New York Times "Majestic.... Rare is the book containing great emotional depth that truly resonates across a span of ages: this is one such." - Kirkus Reviews , Starred"Reminiscent of Raymond Briggs's classic, The Snowman (1978), this is quiet, moving, playful, and bittersweet all at once." - Booklist , Starred

Sklep: Libristo.pl

215,76 zł

Violin Varnish Read Books

Książki / Literatura obcojęzyczna

VIOLIN VARNISH A Plausible Re-creation of the Varnish Used by the Italian Violin Makers Between the Years 1550 and 1750, A. D. Author: JOSEPH MICHELMAN Originally published in 1946. Introduction: PUBLICATION OF THIS BOOK is approached with a little temerity. After more than eight years of extensive research on the varnish used by the Italian Violin Makers from 1550 to 1750 A. D., it has not been possible to corroborate the results in the chemical laboratory. This is due entirely to the unavailability of samples of the varnish for confirmatory analysis. Violins made by the Italian masters of this period are so valuable and so scarce that a small sample of the varnish has not been procurable for experimental purposes. Therefore, synthesis must precede analysis .... and with no assistance from the latter. This, then, will explain the sub-title of this book as A Plausible Re-creation of the Varnish Used by the Italian Makers Between the Years 1550 and 1750 A. D. However, the results of this investigation are so logical and so deeply supported by a vast amount of convincing evidence, that publication of the book is in order. First, possibly the find ings will be confirmed, or otherwise, by investigators who may be more fortunate in having access to material from authentic violins made by the old masters. Confirmatory chemical tests will be suggested it should be comparatively simple, especially through modern micro-analytical methods, to determine the presence of certain constituents in the varnish. Secondly, possibly the results will be suggestive to others so that the confirmed re-discovery of the so-called lost art of varnishing violins will eventually ensue. It is unfortunate that this policy of freely exchanging ideas and information has not generally existed. Almost every violin-maker has his own private formulas for varnishes, which he treasures highly and guards closely. The secret of the old Italian masters has defied discovery for nearly one hundred years, and any disclosures that will shed light on the mystery should be made. Thirdly, the results may be interesting from a chemical stand point the literature investigated does not contain many refer ences to similarly colored vaniishes. The varnishes are perfectly transparent and many are exceedingly permanent, which may be of interest to paint and varnish chemists. Investigators in the realm of colloid chemistry may be interested in the organosols that will be discussed. If the results of this investigation are eventually confirmed, then it must follow that the varnish makers of medieval times produced Synthesized their own resins. The synthetic resin would then become a product of the 16th century and not belong exclusively to more recent years as therefore pre-supposed. Lastly, and most important of all, publication of these results should make freely and permanently accessible to violinists, and lovers of the instrument throughout the world, violins that satisfy the criteria that have been established for the instruments cellos and basses included of the old Italian makers. . . . The instruments of these masters are now two hundred to four hundred years old. Their violins are made entirely of wood held to gether only with glue and cannot be expected to withstand the ravages of time forever. . . . Then too, better instruments should be made more universally available to violinists students as well as amateurs and professional players. Deserving playere are too frequently deprived of the advantages of good quality instru ments and are compelled to use ill-sounding, unresponsive violins with a resulting decrease in interest and advancement. Further improvement in the quality of modern violins is desired, and that improvement should approach the standards established by the old Italian masters. The subject matter of this book will of necessity become tech nical, especially when the theoretical aspects are considered...

Sklep: Libristo.pl

180,68 zł

Violin Varnish Read Books

Książki / Literatura obcojęzyczna

VIOLIN VARNISH A Plausible Re-creation of the Varnish Used by the Italian Violin Makers Between the Years 1550 and 1750, A. D. By JOSEPH MICHELMAN Published by JOSEPH MICHELMAN, Cincinnati, Ohio, U. S. A. 1946 Introduction PUBLICATION OF THIS BOOK is approached with a little temerity. After more than eight years of extensive research on the varnish used by the Italian Violin Makers from 1550 to 1750 A. D., it has not been possible to corroborate the results in the chemical laboratory. This is due entirely to the unavailability of samples of the varnish for confirmatory analysis. Violins made by the Italian masters of this period are so valuable and so scarce that a small sample of the varnish has not been procurable for experi mental purposes. Therefore, synthesis must precede analysis .... and with no assistance from the latter. This, then, will explain the sub-title of this book as A Plausible Re-creation of the Varnish Used by the Italian Makers Between the Years 1550 and 1750 A. D. However, the results of this investigation are so logical and so deeply supported by a vast amount of convincing evidence, that publication of the book is in order. First, possibly the find ings will be confirmed, or otherwise, by investigators who may be more fortunate in having access to material from authentic violins made by the old masters. Confirmatory chemical tests will be suggested it should be comparatively simple, especially through modern micro-analytical methods, to determine the presence of certain constituents in the varnish. Secondly, possibly the results will be suggestive to others so that the confirmed rediscovery of the so-called lost art of var nishing violins will eventually ensue. It is unfortunate that this policy of freely exchanging ideas and information has not gen erally existed. Almost every violin-maker has his own private formulas for varnishes, which he treasures highly and guards closely. The secret of the old Italian masters has defied dis covery for nearly one hundred years, and any disclosures that will shed light on the mystery should be made. vi VIOLIN VARNISH Thirdly, the results may be interesting from a chemical stand point the literature investigated does not contain many refer ences to similarly colored vaniishes. The varnishes are perfectly transparent and many are exceedingly permanent, which may be of interest to paint and varnish chemists. Investigators in the realm of colloid chemistry may be interested in the organosols that will be discussed. If the results of this investigation are eventually confirmed, then it must follow that the varnish makers of medieval times produced Synthesized their own resins. The synthetic resin would then become a product of the 16th cen tury and not belong exclusively to more recent years as hereto fore pre-supposed. Lastly, and most important of all, publication of these results should make freely and permanently accessible to violinists, and lovers of the instrument throughout the world, violins that satisfy the criteria that have been established for the instruments cellos and basses included of the old Italian makers. . . . The instru ments of these masters are now two hundred to four hundred years old. Their violins are made entirely of wood held to gether only with glue and cannot be expected to withstand the ravages of time forever. . . . Then too, better instruments should be made more universally available to violinists students as well as amateurs and professional players. Deserving playere are too frequently deprived of the advantages of good quality instru ments and are compelled to use ill-sounding, unresponsive violins with a resulting decrease in interest and advancement. Further improvement in the quality of modern violins is desired, and that improvement should approach the standards established by the old Italian masters. The subject matter of this book will of necessity become tech nical, especially when the theoretical aspects are considered...

Sklep: Libristo.pl

63,00 zł

Craftsman's Handbook Dover Publications Inc.

Książki / Literatura obcojęzyczna

PrefaceII The first chapter of the first section of this bookII "How some enter the profession through loftiness of spirit, and some, for profit"III Fundamental provisions for anyone who enters this professionIIII How the schedule shows you into how many sections and branches the occupations are dividedV How you begin drawing on a little panel; and the system for itVI How to draw on several kinds of panelsVII What kind of bone is good for treating the panelsVIII "How you should start drawing with a style, and by what light"VIIII "How you should give the system of lighting, light or shade, to your figures, endowing them with a system of relief"X "The method and system for drawing on sheep parchment and on paper, and shading with washes"XI How you may draw with a leaden styleXII "How, if you have made a slip in drawing with leaden style, you my erase it, and by what means"XIII How you should practice drawing with a penXIIII How to learn to cut the quill for drawingXV How you should advance to drawing on tinted paperXVI How the green tint is made on paper for drawing; and the way to temper itXVII "How you should tint kid parchment, and by which method you burnish it"XVIII How you should tint paper turnsole colorXVIIII How you should tint paper with an indigo tintXX "How you should tint papers with reddish color, or almost peach color"XXI How you should tint papers with flesh colorXXII "How you should tint papers greenish gray, or drab"XXIII How you may obtain the essence of a good figure or drawing with tracing paperXXIIII The first way to learn how to make a clear tracing paperXXV A second way to make tracing paper: with glueXXVI How to make tracing paper out of paperXXVII How you should endeavor to copy and draw after as few masters as possibleXXVIII How you should regulate your life in the interests of decorum and the condition of your hand; and in what company; and what method you should first adopt for copying a figure from high upXXX "How you should first start drawing on paper with charcoal, and take the measurement of the figure, and fix it with a silver style"XXXI "How you should draw and shade with washes on tinted paper, and then put lights on with white lead"XXXII How you may put on lights with washes of white lead just as you shade with washes of inkXXXIII How to make good and perfect and slender coals for drawingXXXIIII About a stone which has the character of charcoal for drawing. This ends the first section of this bookIIXXXV The second section of this book: bringing you to the working up of the colorsXXXVI "This shows you the natural colors, and how you should grind black"XXXVII How to make various sorts of blackXXXVIII On the character of the red color called sinoperXXXVIIII "How to make the red called cinabrese, for doing flesh on the wall; and about its character"XL On the character of the red called vermilion; and how it should be worked upXLI On the character of a red called red leadXLII On the character of a red called hematiteXLIII On the character of a red called dragonsbloodXLIIII On the character of a red called lacXLV On the character of a yellow color called ocherXLVI On the character of a yellow color called giallorinoXLVII On the character of a yellow called orpimentXLVIII On the character of a yellow called realgarXLVIIII On the character of a yellow called saffronL On the character of a yellow called arzicaLI On the character of a green called terre-verteLII On the character of a green called malachiteLIII How you make a green with orpiment and indigoLIIII How you make a green with blue and giallorinoLV How you make a green with ultramarine blueLVI On the character of a green called verdigrisLVII How you make a green with white lead and terre-verte; or lime whiteLVIII On the character of lime whiteLVIIII On the character of white leadLX On the character of azuriteLXI To make an imitation of azurite with other colorsLXII "On the character of ultramarine blue, and how to make it"LXIII The importance of knowing how to make brushesLXIIII How to make minever brushesLXV "How you should make bristle brushes, and in what manner"LXVI How to keep minever tails from getting moth-eaten. This ends the second section of this book; begins the thirdIIILXVII "The method and system for working on a wall, that is, in fresco; and on painting and doing flesh for a youthful face"LXVIII The method for painting an aged face in frescoLXVIIII The method for painting various kinds of beards and hair in frescoLXX The proportions which a perfectly formed man's body should possessLXXI The way to paint a drapery in frescoLXXII The way to paint on a wall in secco; and the temperas for itLXXIII How to make a violet colorLXXIIII To execute a violet color in frescoLXXV To try to imitate an ultramarine blue for use in frescoLXXVII To paint a shot green drapery in frescoLXXVIII To paint in fresco a drapery shot with ash grayLXXVIIII To paint one in secco shot with lacLXXX To paint one in fresco or in secco shot with each otherLXXXI To paint a greenish-gray costume in fresco or in seccoLXXXII "To paint a costume, in fresco and in secco, of a greenish-gray color like the color of wood"LXXXIII "To make a drapery, or a mantle for Our Lady, with azurite or ultramarine blue"LXXXIIII "To make a black drapery for a monk's or friar's robe, in fresco and in secco"LXXXV "On the way to paint a mountain, in fresco or in secco"LXXXVI "The way to paint trees and plants and foliage, in fresco and in secco"LXXXVII "How buildings are to be painted, in fresco and in secco"LXXXVIII The way to copy a mountain from nature. This ends the third section of this bookIVLXXXVIIII "How to paint in oil on a wall, on panel, on iron, and where you please"LXXXX How you should start for working in oil on a wallLXXXXI "How you are to make oil, good for a tempera, and also for mordants, by boiling with fire"LXXXXII How good and perfect oil is made by cooking in the sunLXXXXIII "How you should work up the colors with oil, and employ them on the wall"LXXXXIIII "How you should work in oil on iron, on panel, on stone"LXXXXV The way to embellish with gold or with tin on a wallLXXXXVI How you should always make a practice of working with fine gold and with good colorsLXXXXVII "How you should cut the golden tin, and embellish"LXXXXVIII How to make green tin for embellishingLXXXXVIIII "How to make the golden tin, and how to lay fine gold with this vermeil"C "How to fashion or cut out the stars, and put them on the wall"CI How you can make the diadems of the saints on the wall with this tin gilded with fine goldCII How you should model up a diadem in lime mortar on a wallCIII How from the wall you enter upon panel-painting. This ends the fourth section of the bookVCIIII The system by which you should prepare to acquire the skill to work on panelCV How you make batter or flour pasteCVI How you should make cement from mending stonesCVII How to make cement for mending dishes of glassCVIII "How fish glue is used, and how it is tempered"CVIIII "How goat glue is made, and how it is tempered; and how many purposes it will serve"CX A perfect size for tempering gessos for anconas or panelsCXI A size which is good for tempering blues and other colorsCXII To make a glue out of lime and cheese. This ends the fifth section of this bookVICXIII How you should start to work on a panel or anconasCXIIII How you should put cloth on a panelCXV How the flat of a panel should be gessoed with the slice with gesso grossoCXVI How to gesso sottile for gessoing panelsCXVII How to gesso an ancona with gesso sottile; and how to temper itCXVIII How you may gesso with gesso sottile without having gessoes with gesso grosso firstCXVIIII How you should temper and grind gesso sottile for modelingCXX How you should start to scrape down an ancona flat gessoed with gesso sottileCXXI "How the gesso sottile on the flats should be scraped down, and what these scrapings are good for"CXXII "How to draw on panel with charcoal, to begin with, and to fix it with ink"CXXIII How you should mark out the outlines of the figures for gilding the groundsCXXIIII "How to model on a panel with gesso sottile, and how to mount precious stones"CXXV How you should cast a relief for embellishing areas of anconasCXXVI How to plaster reliefs on a wallCXXVII How to model with mortar on a wall the say you model with gesso on panelCXXVIII "How to take reliefs from a stone mold, and how they are good on wall and on panel"CXXVIIII How you may model on a wall with varnishCXXX How you may model on a wall with waxCXXXI "How to lay bole on panel, and how to temper it"CXXXII "Another way to temper bole on panel, for gilding"CXXXIII How you may gild on panel with terre-verteCXXXIIII How to gild on panelCXXXV What stones are good for burnishing this gildingCXXXVI How to prepare the stone for burnishing goldCXXXVII "How you should burnish the gold, or mend matters in case it could not get burnished"CXXXVIII "Now I will show you how to burnish, and in what direction, especially a flat"CXXXVIIII "What gold is good for burnish and mordant gilding, and what thickness"CXL "How you should begin swinging the diadems and do stamping on the gold, and mark out the outlines of the figures"CXLI How to design gold brocades in various colorsCXLII How to execute gold or silver brocadesCXLIII Several rules for cloths of gold and silverCXLIV "How to do velvet, wool, and silk"CXLV How to paint on panelCXLVI How to make draperies in blue and purpleCXLVII How to paint facesCXLVIII How to paint a dead manCXLVIX How to paint woundsCL How to paint waterVIICLI "A short section on mordant gilding. How to make a standard mordant, and how to gild with it"CLII How to control the drying of the mordantCLIII How to make a mordant out of garlicVIIICLIV Introduction to a short section on varnishingCLV When to varnishCLVI How to make a painting look as if it were varnishedIXCLVII "A short section on illuminating: first, how to gild on parchment"CLVIII Another kind of size: for grounds onlyCLIX How to make and use mosaic goldCLX How to grind gold and silver for use as colorsCLXI Colors for use on parchmentXCLXII "A section dealing with work on cloth: first, painting and gilding"CLXIII Various ways to do hangingsCLXIV How to draw for embroiderersCLXV "How to work on silk, on both sides"CLXVI How to paint and gild on velvetCLXVII How to lay gold and silver on woolen clothCLXVIII How to make devices out of gilded paperCLXIX How to model crests or helmetsCLXX How to do caskets or chestsXICLXXI "A short section on operations with glass: first, for windows"CLXXII How to gild for reliquary ornamentsCLXXII Arrangements for drawing on this glassCLXXII How to draw on the gilded glassCLXXII How to scrape the gold off the backgroundsCLXXII How to back up the drawing with colorsXIICLXXII "Part of a section dealing with mosaic: first, a fragment from the end of a chapter otherwise lost"CLXXII Mosaic of quill cuttingsCLXXII "Mosaic of crushed eggshells, painted"CLXXII Mosaic of paper or foilCLXXII "Mosaic of eggshells, gilded"XIIICLXXIII "A section dealing with miscellaneous incidental operations: first, block printing on cloth"CLXXIV How to gild a stone figureCLXXV The dangers of a wet wall for frescoCLXXV Preliminary precautions against moistureCLXXV Waterproofing with boiled oilCLXXVI Waterproofing with pitchCLXXVI Waterproofing with liquid varnishCLXXVII How to distemper inside walls with greenCLXXVIII How to varnish terre-verteCLXXIX How to clean off the paint after you have made up a face CLXXX The perils of indulgence in cosmeticsCLXXXI "The final section, devoted to methods of casting, begins here"CLXXXII How to take a life maskCLXXXIII The breathing tubesCLXXXIV The operations of casting the matrixCLXXXIV How to cast this waste moldCLXXXV How to cast whole figuresCLXXXVI How to make a cast of your own personCLXXXVII Castings in gesso for use on panelCLXXXVIII How to cast medalsCLXXXIX How to make a mold from a seal or coinIndex

Sklep: Libristo.pl

59,08 zł

Ruination Little, Brown Book Group

Książki / Literatura obcojęzyczna

The first ever novel set in the blockbuster universe of League of Legends, one of the most popular video games of all time, Ruination is an epic tale of magic, revenge, and an empire on the verge of ruin.Camavor is a brutal land with a bloody legacy. Where the empire's knights go, slaughter follows.Kalista seeks to change that. When her young and narcissistic uncle, Viego, becomes king, she vows to temper his destructive instincts, as his loyal confidant, advisor and military general.But her plans are thwarted when an assassin's poisoned blade strikes Viego's wife, Isolde, afflicting her with a malady for which there is no cure.As Isolde's condition worsens, Viego descends into madness and grief, threatening to drag Camavor down with him. Kalista makes a desperate gambit to save the kingdom: she searches for the long lost Blessed Isles, rumoured to hold the queen's salvation, if only Kalista can find them.But corruption grows in the Blessed Isles' capital, where a vengeful warden seeks to ensnare Kalista in his cruel machinations. She will be forced to choose between her loyalty to Viego and doing what she knows is right - for even in the face of utter darkness, one noble act can shine a light that saves the world.

Sklep: Libristo.pl

30,14 zł

Tall Bones Transworld Publ. Ltd UK

Książki / Literatura obcojęzyczna

'Tall Bones brilliantly conjures up the oppressive claustrophobia of the small town... Extremely well written, fantastic.' HARRIET TYCE, author of Blood Orange'A wonderfully haunting debut. Small-town intrigue, exquisitely drawn' JANE HARPER, author of The Dry and The Lost ManWhen Emma leaves her friend Abi at a party in the woods, she believes that their lives are just beginning. Many things will happen that night, but Emma will never see her friend again.What happens next in Whistling Ridge is so much more than the story of a missing girl. It's a story of secrets and shame, regrets and rage, love and lies. For Abi's disappearance cracks open the façade of the small town, peeling away the layers of its secret past. Even within Abi's own family there are questions to be asked - of Noah, the older brother whom Abi betrayed, of Jude, the shining younger sibling who hides his battle scars, of Dolly, her mother and Samuel, her father - both in thrall to the fiery preacher who holds the entire town in his grasp. Then there is Rat, the outsider, whose presence both unsettles and excites those around him.Anything could happen in Whistling Ridge, this tinder box of small-town rage. All it will take is just one spark...the truth of what happened that night at the Tall Bones.______________________________________'A dark and compulsive literary crime-drama about love, guilt, trauma, intolerance... an incredibly haunting book but a brilliant one too.' CultureFly Best Books of 2021'A clever, twisting debut, about the dark side of small town America. It is packed with secrets like firecrackers ready to ignite.' FRANCINE TOON, author of Pine'Anna Bailey's debut is irresistible, a compelling and nuanced psychological thriller suffused with small town prejudice and dark family secrets' PAULA HAWKINS, author of The Girl on the Train'Its portrait of small-town intrigue is scarily credible.' VAL McDERMID 'Smart and compassionate, full of poetry and rage and shy hopes and shredded dreams and missing girls and family secrets and the dark, shameful underbelly of small town life.' TAMMY COHEN, author of Stop at Nothing'Tall Bones is as brutal, as bittersweet, as tender and as tense as first love itself.' EMMA FLINT, author of Little Deaths'Tall Bones is as atmospheric as it gets - a stunning debut that delivers on every level.' RENEE KNIGHT, author of Disclaimer'An intricate and compelling thriller, beautifully nuanced and wonderfully claustrophobic. Brilliant.'SJ WATSON, author of Before I Go to Sleep'Chilling and compulsive. Tall Bones is a dazzling debut.' KATE HAMER, author of The Girl in the Red Coat

Sklep: Libristo.pl

93,35 zł

Hold Still Little, Brown Book Group

Książki / Literatura obcojęzyczna

NATIONAL BOOK AWARD FINALIST ONE OF THE BEST BOOKS OF THE YEAR The New York Times, Washington Post, The San Francisco Chronicle, Vogue, NPR, Publishers Weekly, BookPage A revealing and beautifully written memoir and family history from acclaimed photographer Sally Mann. In this groundbreaking book, a unique interplay of narrative and image, Mann's preoccupation with family, race, mortality, and the storied landscape of the American South are revealed as almost genetically predetermined, written into her DNA by the family history that precedes her. Sorting through boxes of family papers and yellowed photographs she finds more than she bargained for: "deceit and scandal, alcohol, domestic abuse, car crashes, bogeymen, clandestine affairs, dearly loved and disputed family land . . . racial complications, vast sums of money made and lost, the return of the prodigal son, and maybe even bloody murder." In lyrical prose and startlingly revealing photographs, she crafts a totally original form of personal history that has the page-turning drama of a great novel but is firmly rooted in the fertile soil of her own life.

Sklep: Libristo.pl

111,34 zł

Life Intercepted Little, Brown Book Group

Książki / Literatura obcojęzyczna

From" New York Times" bestselling author Charles Martin, when a man wins everything only to lose it, he recognizes the love of his life is the only thing worth having. Twelve years ago Matthew "The Rocket" Rising had it all. Married to his high school sweetheart and graduating as one of the winningest quarterbacks in the history of college football, he was selected as the #1 pick in the NFL. But on the night of the draft, after reaching the pinnacle of success, he plummeted. Accused of a crime with irrefutable evidence, he lost everything--his career, his reputation, his freedom, and the love of his life.Having served his sentence and never played a down of professional football, he walks out of prison with one goal--to win back his wife, Audrey, whom no one has seen since the trial. He returns to an unwelcoming reception from his hometown only to discover that Audrey has taken shelter from the media and the outside world at a convent. As chance would have it, there she has found a young man with the ability to have the football career Matthew should have had. All he needs is the right coach. Though helping the boy means Matthew violates the conditions of his release and, if discovered, will be forced to return to prison for the rest of his life, he's willing to take this singular chance to prove his innocence and win back Audrey's love.

Sklep: Libristo.pl

52,25 zł

Knife Of Dreams Little, Brown Book Group

Książki / Literatura obcojęzyczna

The eleventh novel in the Wheel of Time series - one of the most influential and popular fantasy epics ever published. As the very fabric of reality wears thin, all portents indicate that Tarmon Gai'don, the Last Battle, is imminent - and Rand al'Thor must ready himself to confront the Dark One. But Rand must first negotiate a truce with the Seanchan armies, as their forces increasingly sap his strength. All is in flux as established powers falter . . . In Caemlyn, Elayne fights to gain the Lion Throne while trying to avert civil war and Egwene finds that even the White Tower is no longer a place of safety. The winds of time have whirled into a storm, and Rand and his companions ride in the vortex. This small company must prevail against the trials of fate and fortune - or the Dark One will triumph and the world will be lost.

Sklep: Libristo.pl

308,92 zł

Beat the Forex Dealer - An Insider's Look into Trading Today's Foreign Exchange Market John Wiley & Sons Inc

Książki / Literatura obcojęzyczna

The foreign-exchange market is often referred to as the Slaughterhouse where novice traders go to get 'chopped up'. It is one of egos and money, where millions of dollars are won and lost every day and phones are routinely thrown across hectic trading desks. This palpable excitement has led to the explosion of the retail FX market, which has unfortunately spawned a new breed of authors and gurus more than happy to provide misleading and often downright fraudulent information by promising traders riches while making forex trading 'easy'. Well I'll let you in on a little secret: there is nothing easy about trading currencies. If you don't believe me then stop by Warren Buffet's office and ask him how he could lose $850m betting on the dollar or ask George Soros why his short yen bets cost him $600m not once but twice in 1994. What's wrong with these guys, don't they read FX books? In reality, the average client's trading approach combined with the unscrupulous practices of some brokers make spot FX trading more akin to the games found on the Vegas strip than to anything seen on Wall St.The FX market is littered with the remains of day traders and genius 'systems,' and to survive in the long-run traders have to realize that they are playing a game where the cards are clearly stacked against them. Have you ever had your stop hit at a price that turned out to be the low/high for the day? Bad luck perhaps? Maybe. What if it happens more than once? Do you ever feel like the market is out to get you? Well guess what, in this Zero Sum game it absolutely is. Covering the day-to-day mechanics of the FX market and the unsavoury dealings going on, Beat the Forex Dealer offers traders the market-proven trading techniques needed to side-step dealer traps and develop winning trading methods. Learn from an industry insider the truth behind dirty dealer practices including: stop-hunting, price shading, trading against clients and 'no dealing desk' realities. Detailing the dealer-inspired trading techniques developed by MIGFX Inc, consistently ranked among the world's leading currency trading firms, the book helps turn average traders into winning traders; and in a market with a 90# loss rate winning traders are in fact quite rare!More than just a simple manual, Beat the Forex Dealer brings to life the excitement of the FX market by delivering insights into some of the greatest trading triumphs and highlighting legendary disasters; all written in an easy to read style. Make no mistake about it there is a lot of money to be made in currency trading, you just have to know where to look. Sidestepping simple dealer traps is one way of improving your daily p&l, but it is surely not the only one. Successful trading comes down to taking care of the details, which means skipping the theoretical stuff and providing only up-to-date, real-life examples while sharing the FX trading tips that have proved so profitable over the years. By stripping away the theory and getting down to the core of trading, you too will find yourself on the way to beating the forex dealer!

Sklep: Libristo.pl

48,93 zł

We Live in Water: Stories PERENNIAL

Książki / Literatura obcojęzyczna

A HarperPerennial Paperback OriginalThe first collection of short fiction from Jess Walter-a suite of diverse and searching stories about personal struggle and diminished dreams, all of them marked by the wry wit, keen eye, and generosity of spirit that has made him a bookseller and reader favoriteThe New Frontier is a darkly comic, heartfelt collection of twelve stories-published over the last five years in Harper's, The Best American Short Stories, McSweeney's, Playboy, and other publications-that veer from comic tales of love to social satire to suspenseful crime fiction, from hip Portland to once-hip Seattle to never-hip Spokane, from a condemned casino in Las Vegas to a bottomless lake in the dark woods of Idaho. This is a world of lost fathers and redemptive conmen, of meth tweakers on desperate odysseys and men committing suicide by fishing.In "Thief," an aluminum worker turns unlikely detective to solve the mystery of which of his kids is stealing from the family vacation fund. In "We Live in Water," a lawyer returns to a corrupt North Idaho town to find the father who disappeared thirty years earlier. In "Anything Helps," a homeless man has to "go to cardboard" to raise enough money to buy his son the new Harry Potter book. In "Virgo," a local newspaper editor tries to get back at his superstitious ex-girlfriend by screwing with her horoscope."In Vegas we stay one step ahead of the wrecking ball-Sahara, Riviera, Imperial Palace, New Frontier-Goin' old strip, we call it," muses the narrator of the collection's title story. "I have this theory, that Las Vegas will be the only American city that future archaeologists will find...and these future archaeologists will recreate our entire culture based solely on this one shallow and cynical little shithole. And maybe they'll be right."

Sklep: Libristo.pl

szukaj w Kangoo krainaksiazek little lost girl book one separation 20092363

Sklepy zlokalizowane w miastach: Warszawa, Kraków, Łódź, Wrocław, Poznań, Gdańsk, Szczecin, Bydgoszcz, Lublin, Katowice

1. Sklepy z krainaksiazek little lost girl book one separation 20092363

2. Szukaj na wszystkich stronach serwisu

t1=0.037, t2=0, t3=0, t4=0.006, t=0.037